Tools and Materials
The tools we use and the materials we choose say a lot about us. Check out the galleries below to learn more about my passion for the process of creating.
Tools
Many of my tools were passed down from my grandfather. There is family history alive in holding the same plane, or operating the same machinery that my grandfather and father have for many years before I was even on the scene. I am constantly seeking to learn more about using old, quality tools, and I much prefer doing something by hand than by machine. My approach has been largely influenced by Chris Schwarz and his book The Anarchist's Tool Chest. (Check out his site at lostartpress.com/). His style is to approach tools with respect and care, understanding that it is much better to purchase, use, and maintain a quality tool for a lifetime, rather than consume several rounds of junk tools.
Rough-Cut Materials
Much of the material I use comes from logs I have gathered and had milled up (thanks to Andy at www.classwoodworks.com/ ). Milling my own material means I get to be specific with the types of cuts I want. It also means I get to have much more fun than just going to the local hardwood supplier and picking out boards! While it is challenging to go from a log to a finished piece of furniture, it is also more rewarding. Carrying out the entire process takes a lot of hard work and patience, but it yields an overwhelming sense of satisfaction and accomplishment!
acquired & reclaimed materials
I subscribe to the idea of poorly-timed opportunity. I would explain that by saying: the perfect batch of material is never going to pop-up in the time that you need it, and for the price that you want it. Therefore, I like to jump on opportunities BEFORE the need arises, and trust that it will come in due time! (Others might call this unnecessary hoarding!) I like to have a wide array of stock on hand to choose from, so as to maximize the creative possibilities. Letting the material inform the project is an essential part of my process. Every piece of lumber has a story behind it, and when I pick it up, all I want to do is provide the framework for it to tell that story. That's why I have and use a lot of reclaimed lumber as well. The rusty nail stains, old sawmill marks, and tight grain of old-growth oak or douglas fir can produce beautiful pieces (AFTER lots of work, sweat and elbow grease!).
